South Cathedral Place, Richmond, Virginia (1889): Up From the Ashes | Illustrations View more presentations from Jessica Bankston Continue reading South Cathedral Place, Richmond, Virginia (1889): Up From the Ashes | Illustrations
Here is the presentation I gave to my group after finishing the project. Continue reading Cathedral Row, Richmond VA: The Movie!
Please see below for the title page, table of contents and main body of the paper. Continue reading The Paper
Straightforward… here is the bibliography for the project. Continue reading Works referenced during research
What makes our row on South Cathedral Place isn’t just the history of who built it and who lived there, but the style. The row combines the best of the Modern French, Queen Anne and Italianate into it’s own cohesive Freestyle cluster. The Freestyle became a pattern in itself in many instances in the Fan. Even prominent defining elements of passe architectural styles, such as the Mansard roof, were prominently incorporated into desirable house patterns through the early 1900s. Here is the excerpt from my paper on this topic:
Try summoning the Spirit of Styles Past at Shafer’s row, and we are inundated with a profusion of exotic flavors and motifs. Is this a mishmash or an intentional blend? The leading handbook for understanding American architecture, A Field Guide To American Houses, is helpful in instances of stylistic cohesion, but it doesn’t do us any good in identifying the fusion happening here. The Spirit of Styles Past will show us that in Richmond’s Fan District, from the late 19th century through well into the 20th century, production builders followed a new industry model of deliberate blending of style to fashion a “cohesive contradiction” in middle class house patterns.
Arguably the most prominent feature of the row is the Modern French or Second Empire mansard roofline, housing a third story on the front portion of the dwellings, a technique ideal for urban town house designs. But, is it a surprise to see this element applied in 1889 Richmond? A Field Guide to American Houses identifies the span of popularity of this style from 1860-1880, “with late examples not uncommon in the 1880s.” But here we are pushing 1890, with the replication of this element far from being finished in the Fan District of Richmond. A near duplication of the mansard-roofed row was executed in 1895 Continue reading “The Freestyle dominates the Fan – UPDATE”
Yesterday I received my photocopied reprint of the 1890 Norwalk catalogue compliments of the Antique Doorknob Collectors of America. On page 197, I came across our bronze lock plate! And, thus was able to confirm that the aged number 6843 on the back was read correctly, and was in fact the style number for that item. What’s interesting was this particular design was found across a wide range of items, from knobs to doorbells, drawer pulls, etc.; anything that was bronze – or iron – hardware. Continue reading “Norwalk Catalog Arrives”
As I’ve driven around over the past few weeks I find myself paying less attention to landmarks and more to the architectural details of the homes I pass, specifically porches. Every so often my eye catches some familiar lattice work and I conduct a sudden turn at the nearest intersection to go around the block for a second look, most often resulting in a super-stealth photo session. I revisited many of these sites again and again, and have compared their details to that of the three porches existing on 811, 813 and 817 South Cathedral Place. I believe their manufacturer to be the match of possibly two other sites. The other porches I have come across exhibit variants in detail that make me believe they are from other manufacturers. However, uncovering the manufacturer of at least our row has yet to materialize. Continue reading “Matching Porch Styles Around Town”